Art Research Approach

My art research practice explores the intersection of cartography, memory, spatial perception, and symbolic narrative. Through fragmented compositions, hand-rendered mapping systems, oil and watercolor studies, and conceptual mark-making, I investigate how landscapes — both physical and emotional — can be translated into intimate visual experiences. I approach each work as a form of navigation: tracing seamless connections between place, history, architecture, and human perception. Influenced by archival research, material sensitivity, and observational drawing, my process often blurs the boundaries between artifact, map, diagram, and poetic abstraction. Rather than offering fixed destinations, these compositions invite viewers into contemplative territories where fragmentation, movement, and imagination coexist.